Download Dancing Theology in Fetish Boots by Lisa Isherwood,Mark D. Jordan PDF

By Lisa Isherwood,Mark D. Jordan

Dancing Theology in Fetish Boots is either a tribute and an engaged reaction to the paintings of Marcella Althaus-Reid. quite a lot of the world over popular theologians express the breadth and intensity of the effect she made in her all too brief educational existence. the students accumulated in those pages desire to honour her contribution and to proceed her legacy. The authors come to the paintings of Marcella Althaus-Reid from quite a lot of pursuits, disciplines and destinations. Their essays convey what number functions and extensions her paintings elicits in educational, political and pastoral contexts. Lisa Isherwood is Professor of Feminist Liberation Theologies and Director of the Institute for Theological Partnerships on the college of Winchester. Mark D. Jordan is R. R. Niebuhr Professor of Theology at Harvard Divinity tuition. participants: Robert Shore-Goss, Mary E. Hunt, Kwok Pui-lan, Kathleen M. Sands, Emily M. Townes, Mayra Rivera Rivera, Susannah Cornwall, Elizabeth Stuart, Alistair Kee, Lea D. Brown, Jay Emerson Johnson, Graham Ward, Natalie ok. Watson, Ivan Petrella, Hugo Córdova Quero, Mario I. Aguilar, André S. Musskopf, Nancy Cardoso Perreira and Cláudio Carvalhaes, Rosemary Radford Ruether. 'Following the full-bodied creativity and unsparing critique that mark the genius of Marcella Althaus Reid, this assortment constitutes no vanilla homage. It reads like a real Argentinian tango: equivalent elements love-making, lament, rage, humour and problem. a powerful array of students take in and speak again to her sacramental, liberationist, fleshy theology. the result's a testomony to Althaus-Reid's personal passions for justice, for outcasts and for occasion even within the face of death.' Laurel C. Schneider, Professor of Theology, Ethics and tradition, Chicago Theological Seminary 'Lisa Isherwood and Mark Jordan have amassed a relocating and encouraging selection of essays in honour of the brave theologian, Marcella Althaus-Reid. The essays refract some ways within which Marcella has damaged open theological areas in a fashion that's totally specific. Like Marcella's paintings, they invite us to amplify our minds and our hearts to the outrageous openness of embodied, incarnate love. it truly is to be was hoping that this assortment introduces a bigger readership to the consolations of queer theology and its importance for all theological thinkers.' Wendy Farley, Professor of faith and Ethics, Emory University

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